ABBOTT ANSEL ADAMS ROBERT ADAMS ALVAREZ BRAVO ARBUS ATGET BELLOCQ BLOSSFELDT BOURKE-WHITE BRANDT BRASSA CALLAHAN CAMERON COBURN CUNNINGHAM DeCARAVA DOISNEAU EGGLESTON EVANS FRIEDLANDER GILPIN GUTMANN HINE KERTESZ KLEIN KOUDELKA LANGE LARTIGUE LAUGHLIN LEVITT MAPPLETHORPE MODEL MODOTTI MUYBRIDGE NADAR NEWMAN O'SULLIVAN OUTERBRIDGE RIIS RODCHENKO SALGADO SHERMAN SHORE SMITH SOMMER STEICHEN ...

The Miriam & Ira Wallach Division of Art, Prints and Photographs: Photography Collection Berenice Abbott CHANGING NEW YORK 1935-1938 View Collection Catalog Record About Berenice Abbott | Notes on Changing New York | Reproduction Information Photography Collection | Office of Special Collections Newstand; 32nd Street and Third Avenue. Nov. 19, 1935. (Inv#0198/cny015) Blossom Restaurant; 103 ...

Berenice Abbott Giovanni Canal Frank Gehry Marsden Hartley Louis Lozowick Mexico (Nayarit) David Nash Georgia O'Keeffe Vincent van Gogh Berenice Abbott About the Artist Berenice Abbott was born in Springfield, Ohio, in 1898. After an unhappy childhood, she left the Midwest at the age of 20. She resisted social expectations for women and chose not to marry. Elizabeth McCausland, an art critic who ...

The Miriam and Ira Wallach Division of Art, Prints and Photographs: Photography Collection. Abbott's photographs consistently reflect her innate appreciation for the profound documentary capacity of rigorously conceived images to impart information in an aesthetically engaging way. Within four major thematic categories - Portraits (1920s-1930s), New York City (1930s-1940s), Science (1940-1950s), and American Scenes (1930s-1960s) -- Abbott's photographs effectively unite the personal and the impersonal in on

1 of 11 Tool of the Trade: large format view camera. February 1940: the magazine Popular Photography asks Berenice Abbott to name her favorite picture. Her response: Suppose we took a thousand negatives and made a gigantic montage: a myriad-faceted picture containing the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the ...

Berenice Abbott's Changing New York Living photography builds up, does not tear down. It proclaims the dignity of man. Living photography is positive in its approach; it sings a song of life. -Berenice Abbott from It Has to Walk Alone El Second & Third Ave lines; Bowery & Deyer Streets April 24, 1936 St. Bartholomew's, Waldorf Astoria, General Electric Building, Pask Ave. & 51st. St. April 2, ...

Home | Search Inventory | Contact Us | Galleries | Subscribe to Newsletter | Bibliography Berenice Abbott BERENICE ABBOTT Gas Tank and Queensboro Bridge. East 62nd St. & York Ave, Manhattan 10/9/1935, silver print, ca. 1930s 7 1/4 x 9 1/4, $6000 BERENICE ABBOTT El 6th Ave. Line, 28th St. Station New York 1936, silver print, ca. 1930s 7 x 9 5/8, $4800 BERENICE ABBOTT Fire Escape above Soda ...