Undulation, quivering - what I consider micro-isolations are for me the real and deep juice of dance. That's why dance feels sensuous, that's why it can talk about the erotic and talk about the wave-like nature of thought and motion. And I think thoughts and motions do come in waves. Even though it may be that a motion feels abrupt and staccato, the way it courses through the body is like a ...

CHOREOGRAPHER Bill T. Jones has worn the label black, homosexual and HIV positive so long he's given up resenting it. Forsaking the holy anger of his 1990 landmark, Last Supper at Uncle Tom's Cabin/The Promised Land, and the exploration of life-threatening illness in the 1994 Still/Here, the choreographer -- now 45 years old -- has turned away from overtly political and sexual message-making to ...