Over 60 personalities are on display with biographical facts and information. Many examples of their creations are also represented. Included are: painters, sculptors, muralists, engravers, portraitists, print makers, illustrators, photographers, woodcut printers, lithographers, folk artists, and cartoonists.

The Acacia Collection is the home of the worlds most valuable collection of African Americana.

African american art, black art, african american prints, black artists, african american artists, african american figurines, black prints, black figurines, african american dolls, WAK, Annie Lee, Charles Bibbs, Melinda Byers, Ted Ellis, Tim Ashkar, black dolls, art, prints, figurines, dolls, black, african american, store, gallery, modern, visual, contemporary, collectibles, pictures HELLO: ...

Tour: Selected African American Artists at the National Gallery of Art Overview | Start Tour 1 2 3 4 5 6 next room back to American painting Overview The Gallery's collection of American art includes some 154 works by African American artists, from Romare Bearden, Willie Cole, Sam Gilliam, Barkley Leonnard Hendricks, Joshua Johnson, Jacob Lawrence, Edward L. Loper, Joseph Norman, Horace Pippin, ...

Home page of L&S Video: featuring the African-American Artists series, including artists such as Bearden, Catlett, Colescott, Lawrence, Mayhew, Pindell, Ringgold, and more.

TESTAMENT TO BRAVERY AUGUST 5, 1996 TRANSCRIPT The fascinating journey of a 19th century sculpture - The Death of Cleopatra- and the incredible determination of her creator, Edmonia Lewis, is remembered by Charlayne Hunter-Gault. CHARLAYNE HUNTER-GAULT: The work of nearly 7, 000 artists from all over America has found a home here at Washington s National Museum of American Art. But none has had a ...

By special arrangement with the National Museum of American Art (NMAA), of the Smithsonian Institution, we are proud to display at this site some of the nation's finest paintings by African American artists.

This site examines how African Americans used photographs to construct a middle class identity for themselves in the period between 1880 and 1920. It contrasts images of blacks in studio portraits to commercial or documentary images of them at the time.