Ownership History for European Paintings and Sculpture (1933-1945) As a fundamental part of its mission, The Art Institute of Chicago has always conducted research on works in its collection. An important part of that research is the effort to establish the provenance (chain of ownership) for a work, from the moment it leaves the artists studio to the present. Since 1997, and in keeping with the ...

The State Department web site below is a permanent electronic archive of information released prior to January 20, 2001. Please see www.state.gov for material released since President George W. Bush took office on that date. This site is not updated so external links may no longer function. Contact us with any questions about finding information. NOTE: External links to other Internet sites ...

Choose a Country Baltic States Bulgaria Czechoslovakia Germany Hungary Japan Poland Romania Yugoslavia Other Countries On 24 March the British Government set up a Payment Scheme so that victims of Nazi persecution may apply for compensation for the seizure of assets, in the United Kingdom during the Second World War under the Trading With the Enemy legislation. The period for the submission of ...

To present a thorough historical record of the collection and disposition of the assets of Holocaust victims that came into the possession or control of the Government of the United States. ...

The Lost Art Internet Database is a joint project of the federal government and the federal states of Germany to register cultural assets that were relocated, transported and, especially with regard to Jewish citizens, confiscated as a result of persecution during World War II and the Nazi-period. This Internet database facilitates the world-wide registration of cultural assets relocated during ...

Art Claims Anyone with reason to believe that art belonging to them or to a relative was lost, looted, or stolen between January 1, 1933 and May 9, 1945 may submit an art claim with the Holocaust Claims Processing Office. Information on the claim form will be used as a starting point for archival research. Moreover, it will be compared with provenance data, insurance company and museum records, ...

WELCOME CALENDAR MEMBERSHIP GET INVOLVED EXHIBITIONS COLLECTIONS EDUCATION INFORMATION PRESS ROOM DINING SHOP ACCESS SEARCH SITE MAP SMFA NCAAA research method | contact us | other sources These pages present the results of research undertaken by the MFA on the history of ownership (provenance) of its collection of European paintings. The presentation of the provenance of eight paintings on the ...

T H E D O C U M E N T A T I O N P R O J E C T Project for the Documentation of Wartime Cultural Losses The Project for the Documentation of Wartime Cultural Losses (The Documentation Project) has been initiated to gather and make available information relating to works of art, archives, and other types of cultural property displaced as a consequence of war. The main focus of our research is the ...

SPOILS OF WAR - Newsletter No. 0 The Newsletter is a report from 10 europeen countries which has been affected by art looting during and after WW II. ...

The Seattle Art Museum has a relatively small collection of European art, and research into the histories of these works is an ongoing process. This list includes works of art that have gaps in their provenance, have unclear dates of transfer between owners, or were in Europe during the Nazi era (1933-1945).

World War II Provenance Research Overview | Related Publications Select an image to view complete ownership history. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Provenance Research Overview From its inception, the National Gallery of Art has conducted extensive research into the provenance, or history of ownership, of paintings in its collection, with particular attention over the past several years to ...

Atlantic Unbound: The Atlantic Monthly Magazine Online ...

Collection Schloss: ...

Spoliation Research Provenance Research Project: Ownership History for European Painting and Sculpture, 1933-45 On July 16, 1998, The AGO Board of Trustees established the Ad Hoc Committee on the Spoliation of Art in Europe (1933-1945) in response to the American Art Museums Directors (AAMD) Task Force Report on the Spoliation of Art during the Nazi/WWII Era (1933-1945) (http://www.aamd.

Atlantic Unbound: The Atlantic Monthly Magazine Online ...