Ownership History for European Paintings and Sculpture (1933-1945) As a fundamental part of its mission, The Art Institute of Chicago has always conducted research on works in its collection. An important part of that research is the effort to establish the provenance (chain of ownership) for a work, from the moment it leaves the artists studio to the present. Since 1997, and in keeping with the ...

WELCOME CALENDAR MEMBERSHIP GET INVOLVED EXHIBITIONS COLLECTIONS EDUCATION INFORMATION PRESS ROOM DINING SHOP ACCESS SEARCH SITE MAP SMFA NCAAA research method | contact us | other sources These pages present the results of research undertaken by the MFA on the history of ownership (provenance) of its collection of European paintings. The presentation of the provenance of eight paintings on the ...

The Seattle Art Museum has a relatively small collection of European art, and research into the histories of these works is an ongoing process. This list includes works of art that have gaps in their provenance, have unclear dates of transfer between owners, or were in Europe during the Nazi era (1933-1945).

World War II Provenance Research Overview | Related Publications Select an image to view complete ownership history. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Provenance Research Overview From its inception, the National Gallery of Art has conducted extensive research into the provenance, or history of ownership, of paintings in its collection, with particular attention over the past several years to ...

Spoliation Research Provenance Research Project: Ownership History for European Painting and Sculpture, 1933-45 On July 16, 1998, The AGO Board of Trustees established the Ad Hoc Committee on the Spoliation of Art in Europe (1933-1945) in response to the American Art Museums Directors (AAMD) Task Force Report on the Spoliation of Art during the Nazi/WWII Era (1933-1945) (http://www.aamd.